That’s a fascinating compound word, because Gesicht = face but Backpfeife = slap in the face, so literally “Er hat so ein Backpfeifengesicht” = “he has such a slap-in-the-face face.”
An eminently slappable mug, I suppose.
My Collins German / English dictionary also has “Ohrfeigengesicht”, meaning “fish-face” (?) and the phrase “Er hat ein richtiges Ohrfeigengesicht” which translates as “he’s got the sort of face you’d like to put your fist into”.
Everytime you fill in CAPTCHA you’re helping to digitalize old books and documents. Using CAPTCHA abt 250 books are added to a digital database everyday
Its called RECAPTCHA! The creator of CAPTCHA (Luis von Ahn) realised a lot of time was being wasted with CAPTCHA (worldwide we spend about 500,000 hours doing CAPTCHA every day)
So he wanted to put it to good use
The reason why CAPTCHA uses wonky letters is because computers can’t read them, but we can!
But when trying to automatically digitalise old books and documents this becomes a hindrance because computers often cant read the faded old letters. So the digitalising is done by humans (very costly and time consuming)
Anyway Ahn found out about these a integraded into captcha creating RECAPTCHA.
Everyday about 150 (sorry i meant 150 not 250) old books get digitalized this way. They are currently using it to digitalize the whole archive of The New York Times (since 1851)
So we’re all kinda building a digital library of alexandria this way by using captcha, noice
reCAPTCHA Founded 2007. Overview reCAPTCHA is a free CAPTCHA service
that helps to digitize books, newspapers and old time radio shows.
reCAPTCHA improves the process of digitizing books by sending words that
cannot be read by computers to the Web in the form of CAPTCHAs for
humans to decipher.
“I’m tired of simply trying to enjoy escapist stories in which people are tortured and experimented upon at black sites run by authoritarian governments, only to have the creators cram political messages down my throat,” said Land, 31, who added that Marvel’s recent additions of female, LGBTQ, and racially diverse characters to long-running story arcs about tyrannical regimes turning social outsiders into powerful killing machines felt like PC propaganda run amok. “Look, I get that politics is some people’s thing, but I just want to read good stories about people whose position outside society makes them easy prey for tests run by amoral government scientists—without a heavy-handed allegory for the Tuskegee Study thrown in. Why can’t comics be like they used to and just present worlds where superheroes and villains, who were clearly avatars for the values of capitalism, communism, or fascism, battle each other in narratives that explicitly mirrored the complex geopolitical dynamics of the Cold War?”