accio-rebels:

lone-star-multiple-moons:

thefingerfuckingfemalefury:

not-so-tall-gay-danny:

oneshortdamnfuse:

panacea-for-the-absent-soul:

ridersofdickhan:

mister-boss:

dannydevito-senpai:

dothepropaganda:

dothepropaganda:

punk isn’t just skinny. punk isn’t just perfect mohawks or aesthetically pleasing jackets. punk isn’t only listening to dead kennedys or black flag. punk is being an individual, having no respect for our fascist authority, sticking up for the little guy even if you are the little guy. punk isn’t just a look or a music scene.

i literally made this because nazis and the alt right can’t be punk

Stop bringing politics into music genres lmao

stop bringing politics…….. into punk????

Here’s Green Day, one of the most popular and well known punk bands.

Wait, but there’s MORE!

Wait, in case you weren’t convinced that the punk scene is political and is all about standing up against fascism and bullshit and racism that America is facing:

shut up. Punk is not just a fucking music genre.

Ok I’m reblogging this again bc when I went to see green day, before they properly started playing they made us make a pledge, at the gig there is to be ‘No racism, no sexism, no homophobia, no donald trump’

Punk has been political long before Green Day existed. The political history of the Punk scene(s) cannot be divorced from the music scene(s) that arose out of them. It is not just about music. It is not just about fashion. The stylistic choices made have meaning and are situated in a social/political context. 

That being said, it’s really important to acknowledge that Neo-Nazis didn’t infiltrate the Punk subculture for no reason. Absolutely, make it clear that Neo-Nazis are not welcome in The Punk Scene. However, part of doing that means confronting how they got there.

Punk music isn’t all about one political stance, though it’s commonly anti-authoritarian. Anyone can utilize the genre to promote their own ideologies, even if a popular intention of the genre is to be anti-authoritarian. Green Day is just one of many bands who use Punk music to spread their ideology. 

It’s not just punk. Music has been used as a form of rebellion against oppression for a hell of a long time. Fuck, centuries even. The people who don’t get this have most likely never been oppressed in their life.

A few protest/”political” songs, and some about specific tragedies, from recent history, that aren’t just punk:

Zombie, The Cranberries

I Know A Place, MUNA

99 Luftballons, Nena

Beds Are Burning, Midnight Oil

Khe Sahn, Cold Chisel

I Was Only Nineteen, Redgum

The Greatest, Sia

Fuck Tha Police , N.W.A

Eve of Destruction, Barry McGuire

We Are The World, USA for Africa

Say It Loud (I’m Black and I’m Proud), James Brown

Big Yellow Taxi, Joni Mitchell (or more recently, Counting Crows)

Born in the USA, Bruce Springsteen

Know Your Rights, The Clash

Holiday in Cambodia, Dead Kennedys

The Revolution Will Not Be Televised, Gil Scott Heron

We’ve been doing this shit forever, it’s not new. War, racism, fascism, homophobia… if it’s harmed people, it’s been put into music. It’s an incredibly powerful medium that has changed the world before, and to say that politics, hatred, and tragedy shouldn’t be featured is, honestly, simply ignorant.

I cannot deal with the sheer level of numbskull-ery in a statement like “Don’t bring politics into music” as if this is some Silly Tumblr Fad and not something that’s been a thing for over a hundred years

bard is a combat class

bard is a combat class

sleek-siren:

thesocialjusticecourier:

butterflyinthewell:

n1ghtcrwler:

anabundanceofstilinskis:

poryqon:

“When the weather gets cold in a few months you will complain about it then, so enjoy this heat”
I will bitch about it now, I will bitch about it then, I will bitch about everything there is ever to bitch about, because guess what, Im a bitch

I feel like this needs to be Seussified. 

I will bitch about heat. 
I will bitch about cold. 
I will bitch about sunshine,
and about growing old. 

I will bitch about everything,
inside and out.
You will find there is nothing
I can’t bitch about. 

I’m laughing so hard at this post right now omg.

Perfection.

I love it

bonepoem:

jordanparrished:

autismserenity:

fleamontpotter:

yaneela:

marauders4evr:

fleamontpotter:

I wish I knew the exact time and date that harry told snape ‘there’s no need to call me sir professor’ so that I could take a moment of silence to remember the moment each year

Judging from the context of the chapter…

We know that it’s September 2nd. I’d put it between 9:00 AM and 11:00 AM. (They have breakfast and then a free period. They have Snape’s class before their break, which was before their lunch.)

But in the UK first period typically only starts at 9 AM. So free period from around 9-10 AM and Snapes class from 10-11 AM I’d say.

Okay so 10am-11am every September 2nd is now an hour dedicated to remembering the most glorious piece of dialogue ever spoken by a fictional character

ok this just appeared on my blog with ample time for you all to prepare because apparently I stumbled across it months ago, and scheduled it to post on september first. executive function TRIUMPH!!!!!!!

Worth noting that tomorrow is the 20th anniversary of the greatest burn in history

TOMORROW

bettergroomedwings:

bettergroomedwings:

Ok but Crowley is the reason Sherlock Holmes is so enduring.

No no, bear with me.

The first stories come out in The Strand. Crowley, newly woken from his near-century of sleep, reads them in Aziraphale’s copy, and really likes them. Aziraphale, who moves in literary circles, offers to introduce him to Doyle.

Crowley is very excited, and when they meet wrings Doyle’s hand and go on about how much he likes the stories.

Doyle, of course, is a rude bastard, and dismisses Crowley’s praise. He doesn’t like the character, he’s not interested in what people like Crowley think to him.

Crowley is initially tempted to destroy him, and ruin his career, but then realises he can get better revenge than that. He makes the popularity of the stories and books blow up. He puts them everywhere. He makes Sherlock Holmes the talk of London. He finances the backstreet presses printing spin-off stories.

And he keeps it going, firing up Holmes’ popularity until Doyle is driven out of his mind, believing in fairies and hating his own work. Until Arthur Conan Doyle is only ever remembered for Sherlock Holmes, and Crowley gets unending adaptations for himself.

*looks straight into the camera*